- Yamaha Saxophone Serial Number List For Singer Sewing Machines
- Yamaha Saxophone Serial Number List Printable
When was your Selmer Paris Saxophone made?
Yamaha Saxophone Serial Number List For Singer Sewing Machines
Serial Number Lookup Fields with. are required. Manufacturer. Select Manufacturer ADOLPHE SAX BUESCHER BUFFET C.G. CONN GRAFTON HOLTON KEILWERTH KING LeBlanc MARTIN SELMER SML YAMAHA YANAGISAWA. Yamaha Saxophone Serial Number Chart. Pre-1916 Kings are Kohlert or Evette & Schaeffer stencils. The King Tempo is a Keilwerth stencil. The King Lemaire is a Kohlert or Amati stencil (probably Kohlert). I will shortly set up a Serial Number Database for the Yamaha Saxophone also. I'm an instrument nerd so am more than happy to do it just for fun or interest sake. If this list has any errors, typing mistakes, omissions or a new model is released feel free to contact me and I will endeavor to add or correct those details. The Vito YAS-23 serial numbers beginning with a 5 like 501000 starting in 1989 do not match the Yamaha YAS-23 serials but the Vito YAS-21 serials from 1970-1980 do match the Yamaha YAS-21 serials. After 1980 the Vito serials don't seem to match.
This is the most accurate Selmer Serial Number Chart on the internet!
Friend of GetASax.com Douglas Pipher has been given unprecedented access to the Selmer Paris archives, and after thousands of hours of research has compiled a brand new and more Selmer Serial Number Chart for Selmer saxophones. Mwsnap for mac. With permission, we have printed the results of his research below.
If you are wanting to sell your Selmer saxophone, we are always buying vintage saxophones. Please email us at [email protected]
Selmer Serial Numbers – a Fresh Approach
Douglas Pipher, June 20, 2017
The existing Selmer Serial Number Chart has been available on the internet for years. Many saxophonists use it as the authority for determining when an instrument was made. But there are problems with the existing chart, such as the timing of the introduction of the different models. It seems unlikely that every new model was introduced exactly at the beginning of a new year. It also seems unlikely that each year's production ended at a conveniently round number. Was the chart built from specific data or was it just someone's estimate; a guess which eventually became assumed to be an absolute truth? With these questions in mind, the need for a fresh look became clear, to see if there was a way to measure the accuracy, or inaccuracy, of the existing chart. Douglas Pipher decided to take on the challenge.
Clearly the first step was to collect as much primary data as possible. It is well known that Selmer Paris possesses some archival records but they are not available to the public. With a background in statistical analysis and an established record in the study of Selmer history, Douglas was able to secure access to these archives. Once there, the daunting nature of the task became apparent. The archives are comprised of a series of very old and fragile notebooks, written by a variety of people, in a variety of handwriting styles. Some were neat and detailed and others were nearly illegible and of course, it is all written in French. Roland spd sx wave manager. But, the fact that all the data still existed was like finding a treasure.
The archive records contain four key elements:
– Instrument type (Alto, Tenor etc)
– Finish and custom features
– Shipping date
– Destination
In most cases, there was no mention of what model was being produced. The data started at serial #5000 and continued for over 75 years. Whether earlier notebooks were lost or were never kept is unfortunately unknown.
The first phase of the research was to study the records from the beginning up to the end of the Mark VI era. (1927 to 1975) After several trips to Paris and several thousand hours of research and study, the original shipping data was collected and organized. Finally, it was possible to do a detailed study of each year's actual sales and compare them the to the information suggested in the existing serial number chart.
Let's take a look at 1927, the earliest year for which full data was available.
If you are wanting to sell your Selmer saxophone, we are always buying vintage saxophones. Please email us at [email protected]
Selmer Serial Numbers – a Fresh Approach
Douglas Pipher, June 20, 2017
The existing Selmer Serial Number Chart has been available on the internet for years. Many saxophonists use it as the authority for determining when an instrument was made. But there are problems with the existing chart, such as the timing of the introduction of the different models. It seems unlikely that every new model was introduced exactly at the beginning of a new year. It also seems unlikely that each year's production ended at a conveniently round number. Was the chart built from specific data or was it just someone's estimate; a guess which eventually became assumed to be an absolute truth? With these questions in mind, the need for a fresh look became clear, to see if there was a way to measure the accuracy, or inaccuracy, of the existing chart. Douglas Pipher decided to take on the challenge.
Clearly the first step was to collect as much primary data as possible. It is well known that Selmer Paris possesses some archival records but they are not available to the public. With a background in statistical analysis and an established record in the study of Selmer history, Douglas was able to secure access to these archives. Once there, the daunting nature of the task became apparent. The archives are comprised of a series of very old and fragile notebooks, written by a variety of people, in a variety of handwriting styles. Some were neat and detailed and others were nearly illegible and of course, it is all written in French. Roland spd sx wave manager. But, the fact that all the data still existed was like finding a treasure.
The archive records contain four key elements:
– Instrument type (Alto, Tenor etc)
– Finish and custom features
– Shipping date
– Destination
In most cases, there was no mention of what model was being produced. The data started at serial #5000 and continued for over 75 years. Whether earlier notebooks were lost or were never kept is unfortunately unknown.
The first phase of the research was to study the records from the beginning up to the end of the Mark VI era. (1927 to 1975) After several trips to Paris and several thousand hours of research and study, the original shipping data was collected and organized. Finally, it was possible to do a detailed study of each year's actual sales and compare them the to the information suggested in the existing serial number chart.
Let's take a look at 1927, the earliest year for which full data was available.
The existing serial number chart showed a range from 5601 to 7850. By simple subtraction, 2249 saxophones were allegedly built in 1927. A search of the actual shipping dates for this serial number range revealed the following:
Only 1537 saxophones within this range were shipped in 1927. An additional 404 were shipped in 1928 and 27 more were shipped even later than that. Dividing the actual number (1537) by the alleged number (2249) revealed that the serial number range for 1927 was only 68% correct. Clearly, there was room for improvement.
This process was repeated for each year up to 1975. The average accuracy for the entire existing serial number chart was a disappointing 66%. That's only two out of three! So about a third of the people using the list got the wrong year for their saxophone. It quickly became obvious that an improved chart was needed.
Fortunately, the primary shipping data could now be used to rebuild the serial number chart from scratch. Beginning with a list of all the actual 1927 sales, they were sorted by serial number. Next, they were grouped into serial number ranges of 100. (5000 – 5099, 5100 – 5199 etc) and the total number of 1927 sales within each group was calculated.
The chart at left shows that less than one quarter of the saxes in the 5000 to 5299 serial number range were sold in 1927. Most were sold in 1926. The range from 7300 to 7800 also showed less than half of the sales in 1927, with most of the remainder being sold in 1928. Between the 5300 and 7299 range, most of the saxes were sold in 1927. This range became the initial boundary for 1927 production. By taking a closer look, right down to individual instruments, the starting and ending points of the range were modified as needed. The most accurate serial number range for 1927 was finalized as 5300 – 7280. Repeating this process for each year up to 1975 resulted in the development of a chart with an average accuracy of 82%. For searches of Alto or Tenor only, the accuracy rose to 86%.
Why is the new chart not 100% accurate? A look at the 1927 chart to the left makes the answer quite clear. As mentioned above, the 1927 range was determined to be 5300 – 7280, so the 1928 serial number range logically started at 7281. But many saxophones from 7300 to 7800 were sold in 1927. The majority of the horns in this range which were sold in 1928, but clearly not all of them. There are many reasons for this. Different distributors had different specifications, which affected delivery times. The US-Market horns, for instance, were not normally engraved, padded or lacquered in France. This meant that US-Market horns shipped earlier than others.
The more unusual types of saxophones, such as the Sopranino or Bass, were often sold months or even years later than one might expect. Individual saxophones with custom finishes or features would naturally take longer to build, thus delaying their completion date. In building as complex an instrument as a saxophone, there are many reasons why and individual sax's completion date could be delayed by days, weeks or months.
Yamaha Saxophone Serial Number List Printable
The improved serial number chart is by no means flawless. But it's does allow for a far greater level of confidence for Selmer owners and enthusiasts. Douglas' ongoing primary research continues to extend the scope of the improved chart, into the Mark VII range and beyond. Douglas Pipher is a Canadian saxophonist, collector and researcher who has spent the last several years studying Selmer instruments with the goal of improving our understanding of Selmer history through primary research. He can be reached at: [email protected]
